Tag Archives: Axl Rose

What did you do, Joseph, what did you do?

I suspect I am not alone in feeling as though I am never really getting enough done. While I try not to procrastinate too much, I do make jokes about procrastinating a lot. When I realize I’m procrastinating, I have a lot of little motivational phrases I say out loud to myself. One of them is this:

“Get back to work, you idiot.”

And if I don’t get back to work, I sometimes follow up with:

“You are a bad and stupid person.”

Then I feel guilty that I’m being so mean to myself and I try to make it up to me by allowing myself to make a joke on Twitter about procrastinating. And the cycle continues.

This year, I decided to actually review my calendar and make a list of (almost) everything I did. Please enjoy procrastinating from your work to read about mine!

January

I worked with John Kovalic on some spec scripts and started writing daily tweets for @DrBlinkShrink.

I did two shows at The San Francisco SketchFest. CineMadness with Bill Corbett and a short version of my geek stand-up/storytelling show, Comedy of Doom.

I performed the role of “Balthazar, D & D Champion” in promotional videos for a company called Awesome Dice.

I co-wrote an internal awards show for General Mills.

I made jokes on Twitter about procrastinating.

February

I launched the Obsessed podcast as both a live show in Minneapolis and released the first episode online. There have been 10 live shows that have generated 16 podcast episodes.

I wrote a sketch for a magician.

I wrote and performed (with Shanan Custer) a commentary about smartphones for Minnesota Public Radio.

I did a story with the spoken word collective The Rockstar Storytellers.

I was one of the entertainers on JoCoCruiseCrazy II. I performed a full length version of Comedy of Doom. I was thrilled to get a surprise volunteer named Wil Wheaton for my Star Trek bit. I also played the role of “Ed McMahon” on Paul & Storm’s podcast with Paul F. Tompkins.

I gave a talk in a bar about zombies and Minnesota geek culture for the Minnesota Historical Society.

I made jokes on Facebook about procrastinating.

March

I performed at the Twin Cities convention Mars Con.

I started working as an occasional writer and performer on Wits. Since March, I’ve written for and/or performed with Tim Meadows, Rhett Miller, Andy Richter, Reggie Watts, Fred Willard, Paul F. Tompkins, Wyatt Cenac, Bobcat Goldthwait, Amy Sedaris, Dave Foley, Mike Doughty, Maria Bamford, and Brandi Carlile. And of course host John Moe, John Munson and The Witnesses, and other frequent Wits performers Bill Corbett, Kevin Murphy, and Neil Gaiman.

I went out to eat with my wife on her birthday. She mentioned maybe I should write a book.

I made jokes on Google+ about procrastinating.

April

I did another story with the Rockstar Storytellers.

I wrote and did eight performances of a one person stand-up show about vampires, stand-up, and vampires doing stand-up called The Sad Vampire Comedy Hour.

I wrote and performed a short story as part of a Minnesota Public Radio showcase led by Kevin Kling.

I did three performances and presentations about using comedy to discuss history for the American Alliance of Museums convention.

I did not get around to making any jokes on social media about procrastinating.

May

I launched a Kickstarter campaign to fund the book version of Comedy of Doom.

I wrote a lot of new material for the book. I edited the material from the stage version. I took photos for the cover and organized all the illustrations for the book. I hit refresh on the Kickstarter page roughly 700 times a day.

My odd little rock band called Math Emergency (composed of a math professor, a public radio producer, a public radio host, and me) played a gig. I played the drums and made jokes into a microphone.

I appeared on the AON podcast.

I made jokes on Twitter about spending too much time on Twitter.

June

I went on my friends’ annual bar crawl. I only note this because, while fun, going to 13 bars in 12 hours does feel a bit like work.

I appeared on the Vilification Tennis podcast where I cemented my reputation as an Axl Rose apologist.

I did another story with the Rockstar Storytellers.

I did multiple rounds of proofing and editing on the book and we sent it off to be printed. Comedy of Doom was officially published on June 20, 2012.

I wrote the pilot for an animated series version of the web comic Least I Could Do.

I made mean jokes about Google+ on Twitter.

July

We sent out all the copies of Comedy of Doom to the kind Kickstarter backers.

I attended the big Twin Cities convention CONvergence. I wrote and performed a one person storytelling and stand-up show about romantic advice for geeks called Verbing The Noun. We’ll be releasing a CD and digital download of the show in time for Valentine’s Day 2013. I did a live Obsessed show with Paul Cornell and Bonnie Burton. I did 10 other comedy panels and a signing for Comedy of Doom.

I went to San Diego Comic-Con. I performed at w00tstock. I had fun meetings, fancy parties, and saw a lot of men dressed as Jedi having a hard time at urinals.

I did another story with the Rockstar Storytellers.

I co-wrote and performed a comedy show called Comedy: The Show with Four Humors Theater on the Centennial Showboat in St. Paul, Minnesota.

I made a quick trip to Los Angeles for a friend’s birthday party. I even wrote something for that.

I made mean jokes about Google+ on Facebook.

August

I wrote, produced, and performed in an hour long one act play called Nightmare Without Pants for the Minnesota Fringe Festival. Here is a three minute live video preview of the show, in which I perform an accidental magic trick with a pair of rip-away pants.

Due to the stubborn forward movement of time I became a year older on August 17th.

I performed and did some comedy panels at Dragon*Con in Atlanta.

I made jokes about Google+ on Google+.

September

I was still at Dragon*Con. For one panel, I was challenged to sing “Chitty Chitty Bang Bang.” I attempted to do it in the style of Nine Inch Nails. It’s a better song that way.

I did a performance at Space Camp with Marian Call, Molly Lewis, Ken Plume, Phil Plait, and more.

Obsessed was featured on iTunes as “New & Noteworthy” and a “Staff Favorite.”

I co-wrote, helped to organize, and performed in a large awards show for the Minnesota theater community called The Iveys.

I did a podcast with the awesome Len Peralta and became a trading card for his Geek-A-Week series.

I hosted and performed at a viewing of the Doctor Who episode “The Angels Take Manhattan” at The Parkway Theater.

I tried to treat Google+ with a little more respect.

October

I co-produced, directed, and wrote a piece for a theater event called Thirst. It’s a series of short one-act plays performed in a bar. The show had three performances and it was a benefit to fight for Marriage Equality in Minnesota. Here’s the monologue I wrote about Harry Potter and kindness.

I joined The Ladies of Ragnarok (Molly Lewis, The Doubleclicks, and tour manager Dammit Liz) for a leg of their tour. I performed in Chicago, Minneapolis, and Madison. The Ladies also appeared on Obsessed.

I recorded the audiobook version of Comedy of Doom. We’re still working on editing and mastering the hours of audio.

I did another show with the Rockstar Storytellers.

I wrote and performed a ghost story for Torch Theater in Minneapolis.

I played another gig with Math Emergency.

I started a Tumblr account and wrote a thing about Halloween.

November

I used National Novel Writing Month as a motivation to work on some screenplays. I finished plotting and scripting the first drafts of two feature length films. Now working on second drafts.

My wife and I celebrated our 6th wedding anniversary. The traditional gift is iron. The contemporary gift is candy. We gave one another Iron Man Pez dispensers.

I tried to make fun of Google+ on Tumblr, but I felt like I was kicking a puppy.

December

I wrote and performed the short story Adult Santa for The New Standards holiday show at the Fitzgerald Theater in St. Paul, Minnesota.

I did another story with the Rockstar Storytellers.

We (and by “we” I really mean my wife Sara and my graphic designer, Matthew Foster) made Comedy of Doom available on Kindle, Nook, iBooks, Kobo, and many stores in the Twin Cities.

I wrote a story about the grim superhero The Leaping Lord for Paul Cornell’s 12 Blogs of Christmas.

I started writing a new stand-up/storytelling show that I’ll be performing on JoCoCruiseCrazy III.

I started writing another stand-up/storytelling show that I’ll be performing at the Bryant-Lake Bowl in Minneapolis in March of 2013.

I booked guests for Obsessed through March of 2013.

I wrote some stuff that I’ll perform for my annual New Year’s Eve show at the Bryant Lake Bowl.

I made fun of LinkedIn on Facebook, Twitter, Google+, and Tumblr.

I debated whether or not I should write this. I stared off into space and screwed around on social media. I beat myself up about procrastinating. I forced myself to write this. I read it. I thought about all the amazing creative people I got to meet and work with this year. I ran the post by my wife and business partner without whom none of the above would be remotely possible.

Later tonight, I’ll watch some TV, drink a martini, and think about ways to get even more done in 2013.

I’m going to start by coming up with some new motivational phrases.

I think I’ll try:

“Come on, you idiot, get stuff done so you have something to blog about next year.”

and

“Stop calling yourself an idiot, you jackass.”

And then I’ll hug myself and move on.

Happy New Year’s,

Joseph

3 Comments

Filed under Comedy Real Life

Adult Santa Claus

I originally wrote this piece for the very awesome New Standards holiday show. Many thanks to John, Chan, and Steve.

I have a new holiday tradition. Right around Thanksgiving, I turn to my beautiful wife and say, “Honey, I hate Christmas.” She patiently listens as I go on the exact same rant that I do every year.

“I don’t want to hate Christmas. I used to love Christmas. I used to get a break from school. I used to look forward to opening presents. I normally got Star Wars action figures, but one year my mother hurt her back, got high on pain meds, and gave me three different individually wrapped flashlights.

I didn’t even care.

I just went to my room, turned off all the lights, and pretended the flashlight was a lightsaber. I danced around in the dark waving a flashlight like an idiot. That’s what Christmas used to be–a warm comforting light in the middle of the dark winter. It used to feel magical. Now it’s just more stuff I have to do.”

This year instead of just complaining to my wife, I’ve decided to make Christmas magical again. In order to do that, I’ve invented a new myth.

The myth of Adult Santa Claus.

I don’t mean Adult Santa Claus like a special holiday movie you would order in a hotel room.

No, Adult Santa is like your cool uncle who also happens to be a life coach. He has the magical ability to visit every stressed out adult in the world on one night. He doesn’t have a sleigh guided by reindeer and he doesn’t enter through a chimney. He drives a 1997 Ford Taurus with a missing muffler and he comes in the front door like a normal person.

Adult Santa has many names. In Germany he’s known as Dave Kringle. Some know him as Saint Chad, the patron saint of whatever, man. In Belgium, they just call him Low-Stress Pete.

Adult Santa doesn’t say, “Ho Ho Ho!” He says, “Ho Ho Ohhh—I’m tired. Whooo! My back is killing me. Ahhhhhhh! Son of a—!” And he just goes on like that for a while.

His face doesn’t appear on Coke cans, but you might see him on a package of Nicorette or a bottle of Xanax. Because Adult Santa is just here to help.

He logs onto your facebook account and deletes that horrible post you wrote about your mother-in-law while you were hiding in the bathroom during dinner. He finishes that stupid PowerPoint Presentation you have to give on December 27th. He leaves a big bottle of Trader Joe’s wine under your pillow. He knows Trader Joe’s wine isn’t fancy, but you like it, so who cares? Adult Santa doesn’t judge.

Maybe he just sits on the end of the bed and rubs your feet. It should be creepy that an old dude named Dave sneaks into your house and rubs your feet, but it’s not.

It’s magical.

He will even hang out with you. Adult Santa will stay up late and watch that episode of Downton Abbey you’ve had on the DVR for two weeks. He agrees with you that the best part of Project Runway is Tim Gunn. He’ll bring you an Xbox and play co-op Call of Duty all night. He is really good with a grenade launcher.

Adult Santa won’t force you to sing Christmas Carols. But if you want to, he’s got a couple of carols he likes to sing. He calls them Realistic Christmas Carols. His favorites include “Silent Night, Passive-Aggressive Night,” “I’m Beginning To Bitch A Lot About Christmas,” and “All I Want For Christmas Is Two F’ing Minutes To Myself.” Adult Santa likes to say that by title alone his favorite Christmas Carol is “Sweet Child O’ Mine” by Guns N’ Roses.

Unless you don’t like that kind of sarcasm, then Adult Santa just keeps it to himself. Because he’s not here to fight, he just wants you to be happy.

Adult Santa knows Christmas doesn’t actually suck.

It’s just really, really hard to be an adult.

So this year, I am going to recapture the magic of Christmas. On December 24th, I’m going to stay up late at night and wait for Adult Santa. I’ll set out some whiskey and a wedge of brie. I’ll sit in a dark room illuminated only by the glow of the Christmas tree. I’ll sip some of that whiskey as I listen for the low rumble of his rusted out Ford Taurus. I will feel warm and safe.

In that moment, I will get the true gift of Christmas. A gift that all adults deserve. Just a few precious minutes of peace on Earth.

Thank you and merry realistic Christmas to one and all.

This story is now available in audio format as part of my comedy album A VERY HOLIDAY THING. The album and the blog post were made possible by funding from Patreon. Thanks, patrons!

3 Comments

Filed under Comedy Story, Uncategorized

FRANKENSTEIN, AFGHAN WHIGS, BATHROOMS: Obsessed Ep 13

Trace Beaulieu, of Mystery Science Theater 3000 and Cinematic Titanic fame, is obsessed with Frankenstein’s Monster. Barb Abney, DJ from The Current loves The Afghan Whigs. Random audience volunteer Noah has severe issues with bathroom door etiquette. As do we all.

AWOOGA! Obsessed is now a part of Feral Audio! Go to Feral now to listen to this episode and subscribe for new ones!

Listen, rate, review, and subscribe to OBSESSED on iTunes.

Leave a Comment

Filed under Obsessed, Podcast

Rock N’ Delicate Roll

Rock n’ roll is delicate. Yes, it’s powerful and sexy, but maintaining the illusion of all that sexy power is such intricate work. It’s like a little lace doily in the shape of a penis. It’s ridiculous.

In high school, I played drums in a rock n’ roll band. Like all high school rock n’ roll bands, we did it because we loved the music. And by “loved the music,” I mostly mean “wanted girls to like us.” Oddly, we chose to call our band The Flaming Twinkeez. A name that could easily win the glitter encrusted tiara and scepter at the Most Blatantly Homosexual Band Name Evaaar Pageant. We were young and stupid. I insisted on spelling it “Twinkeez” to avoid legal issues when we made it big. Even when we tried to be smart–we were stupid.

The Flaming Twinkeez’s set list was some Pink Floyd, some Led Zeppelin, some Metallica, one original song about eating chili, and almost every Guns N’ Roses song.

I loved Guns N’ Roses. They smoked and drank and had overdoses and occasionally attacked their audience members. Unlike a lot of hard rock musicians at the time, they weren’t closet classical music fans with blow-dried mullets. They actually did the horrible things they sang about doing.

I was a scrawny, angry kid who liked to write and draw and get good grades so I could stay on the honor roll and get a 50% discount from the local Domino’s Pizza owned by Jesse Ventura. I was not entirely happy with my life. I identified with Axl’s anger. His skeletal, heroin chic look bolstered my self-image. Guns N’ Roses’ music did what it should: it offered a catharsis.

Eventually, the Twinkeez broke up after our two lead guitar players had a spat about whose amp should be louder. Two lead guitarists. We were so stupid.

As I grew up, I found my catharsis in writing and performing comedy. But I continued to listen to Guns N’ Roses. It was the soundtrack to a huge chunk of my life. It was a part of our culture. It was now being played on oldie’s channels. I even bought Chinese Democracy the day it came out. I drank whiskey and listened to the whole thing and didn’t hate it.

But with all the Guns N’ Roses obsession, I never saw Axl perform live. So when the band came through Minneapolis recently, I decided to carpe the fucking diem and buy tickets.

We sat in the second row of the balcony. As evidenced by this photo my wife snapped, I was almost surprised to find myself there.

I took a look around and the snark flood gates opened. I tweeted this:

My reaction to the crowd: Welcome to the middle-aged people wearing black who smell of pot jungle, baby. #GunsNRoses

But I was wrong. Not all the douchebags were middle-aged. When I walked into the bathroom, I headed to the stall to urinate. A young douchebag yelled, “Only fags pee in stalls!” Which was odd, because he was pissing in a trough along with five other guys–wangs hanging out like some limp dicked douchebag honor guard.

I started to think the simple term douchebag would not be enough to differentiate the audience members. Perhaps I would need to construct an elaborate taxonomy of douche-things. Douche-bags, douche-heads, douche-canoes,  douche-bungalows, douche-heinekens, etc.

Two ironic hipsters sat in front of us shouting disparaging comments at the stage before anyone was even on it. They reminded me of the balcony dwelling Muppets, Statler and Waldorf, but not as cool. I thought of them as Statler and Asshat.

A man behind us sighed and said, “I got these tickets free. Axl’s not even going to show up. And I have to work tomorrow morning. In Fargo.”

An extremely friendly woman sat down next to me and said, “Hey, I’m going to try to sneak down onto the main floor. I’ll take my shirt off and wave at you, okay?”

The opening band started playing fifteen minutes late. They were boring, repetitive modern rock–like Nickleback but louder and less charming. In between songs (or it could have all been one song with breaks—who knows?) the singer would regale us with his wit. A sample:

“Whoever’s smoking that fucking green shit, I want some! If you could say one thing to your boss, I bet it would be like, ‘fuck you!’ What the fuck’s wrong with rock n’ roll, man? All these fucking rules and shit! Fuck, man, fuck. Who wants a fucking drumstick? I’ll trade you for a motherfucking pot treat!”

His liberal use of the f-word eventually caused him some problems when he told us in great confidence, “We’ve been on the road with Guns N’ Roses for a while, man, and let me say—they are fucking really nice guys.”

Really? According to the opening act, Guns N’ Roses were men who “peed in stalls.”

Blissfully, the opening act stopped playing music or speaking. I always thought opening acts were designed to raise the energy. No. They are designed to lower the bar.

About twenty minutes passed. Statler and Asshat screamed for Axl to hurry the hell up. Fargo guy considered leaving. The woman who wanted to be topless returned–thwarted in her attempt to get closer. She lit up a pity joint. I went to the bathroom again and urinated in a stall like a gay man. The convenience vending machine in the men’s room only sold three things—aspirin, ear plugs, and condoms. So many ways to dull your experience! The machine bore the slogan, “When life just can’t wait!”

I walked back into the packed, restless stadium. You could feel the confusion in the room. Why were we here? What did we even want? Was Axl going to be like he was when he was young? An ass-hole who starts his set whenever the hell he wants? Yes, yes, that’s very rock n’ roll of you, Axl, but you’re pushing fifty and some of us have to be in Fargo in a few hours. Come the fuck on, man.

Still, he didn’t show. It was like the white trash equivalent of Waiting For Godot. Statler and Asshat actually screwed around trying to take their shoes off.

I tweeted more. This time about the fact that I wasn’t even waiting to hear the real, original Guns N’ Roses:

“Soon the current members of #GunsNRoses will hit the stage! Axl! Not Slash! Guy Who Owns A Bass! Studio Drummer! Someone’s Brother-In-Law!”

Finally, an hour and a half after the opening band killed all the energy in the room, the lights lowered. All was dark save the glow from the prohibited cell phone cameras spread throughout the stadium. The room looked and smelled like a Christmas Tree made of hemp.

Suddenly, the lights blasted on, a familiar riff ripped through the speakers, and Axl bound onto stage and wailed.

In terms of a concert review, I’ll just say this: If you don’t like Guns N’ Roses, this was a terrible concert. If you do or ever did like Guns N’ Roses, it was amazing.

Axl danced. But not too much. He didn’t thrust his hips but he did a little jig that suggested he might do pelvic thrusts should the mood strike him. He jumped off things. But nothing too tall. He took his time and built up to the big screeching, bending notes. And he held them. For a long time.

One of the prohibited cell phones snapped a picture of Axl at the end of a song. The lights went out. In his youth, Axl would have jumped into the crowd and beat the hell out of the photographer. After a few seconds, Axl  said, “We’re having some technical difficulties. Thanks for your patience.” Then the lights came up and on he rocked.

The whole room seemed to wonder, “What the hell happened to him? Has he finally swapped heroin for Xanax? Does he owe the government money and just can’t afford to screw this up? Why is he being kind of awesome?”

I started to feel like a prick about my snarky tweets. I realized I had tagged them with the Guns N’ Roses hashtag. Axl could look at them. Then, I thought, “What if he reads them on stage? That would make a great story.” I felt like an even bigger prick.

There he was on stage—just working. He wasn’t trying to regain his youth. He wasn’t playing only the old songs. He was swearing here and there but nothing compared to the opening act’s carpet f-bombing. When someone threw a bra at him, he just said, “thank you,” and gently hung it on a mic stand. He was just delivering the songs to the best of his fucking ability.

Statler and Asshat were rocking and chanting. Fargo guy and not-topless pot girl sang along. So did I. The songs didn’t make me pine to be younger, they just made me remember what it felt like. I thought about who I was then and how lucky I was to be sitting next to my wife now, listening to Axl Rose screech about being a Rocket Queen. I didn’t know what the hell a Rocket Queen was back then and I don’t know now. More importantly, I don’t care. It just sounds cool.

The band played for almost three hours. After they did an encore, they came back and did another bow.  At this point, I was almost annoyed. Axl hadn’t done anything crazy. He had done very little “rock n’ roll” besides the whole performing three hours of rock n’ roll music. He was all doily and no penis.

After the whole band bowed, Axl walked back on stage. He stepped up to a mic and calmly said, “You guys were a great audience. We really appreciate your support. We hope to be back to Minneapolis real soon and we hope you’ll join us again. Thank you.”

There was a brief pause. Come on, man. Do something crazy. Read one of my tweets and threaten to kick my ass, say something crazy about the socio-political realities of democracy ever taking hold in China, punch something. At least swear, man, come on.

Then he leaned into the mic and said in a rich, deep, rock n’ roll voice, “Seriously, thank you. Thank you very fucking much. Good night!”

No, Axl, you crazy bastard, thank you. Thank you very fucking much.

1 Comment

Filed under Uncategorized

The Very Best Of My Very Bad Halloween Costumes

A brief remembrance of my top five horrible Halloween costumes.

1) ROBIN, THE BOY WONDER

Age 7. My cape was an old white pillow case that had turned kind of yellow. It was tied tightly around my neck. My tunic was a red-tinted Super Grover Sesame Street t-shirt. My little green shorts were a pair of long green bell bottoms. I had no mask because my parents were concerned about my safety. Apparently, they wanted me to be able to clearly see what was happening when I choked to death from having a pillow case wrapped around my throat. Also, my older brother dressed as Robin’s crime fighting partner: Humphrey Bogart. I am not making this up.

2) THE MASTER FROM DOCTOR WHO

Age 11. For horrible details, see this post.

3) AXL ROSE

Age 15. Some friends who lived in a not very cultured (okay, white trash) suburb of Minneapolis convinced me that we would get a “butt-load” of candy if we went Trick Or Treating as the members of Guns N’ Roses. I won the honor of being Axl because my natural physique was closest to that of a heroin addict. Our costumes were mostly jean jackets and fake mullets. We were indistinguishable from the majority of grown men who lived in this suburb. We did not receive a “butt-load” of candy. Perhaps, a “shoulder-load” worth, though. Most adults probably thought we had come to the door due to a paternity dispute involving their teenage daughter. No singing was involved.

4) A KINKO’S EMPLOYEE

Age 28. For three years, I was an assistant manager at Kinko’s. I happened to quit on Halloween. My girlfriend and I were going to a costume party that night. By now, I was an actor and didn’t like dressing up for Halloween. As I told her, “I feel weird looking like a plumber without doing plumber things. I don’t want to go to a party and put on a little plumber play.” As I tore into my closet full of theater costumes and props, I decided I should probably put my stupid blue Kinko’s apron in there in case I ever wanted to play a stupid Kinko’s guy on stage. Then I realized, I could play a stupid Kinko’s guy for Halloween. So I wore the stupid blue apron. I wore it ironically. And I spilled a decent amount of beer on it. Perhaps intentionally. Perhaps not. Intent and beer are often mortal enemies.

5) A GIANT SQUIRREL

Age <redacted> I now worked at a museum giving tours and performing. I felt obligated to attend a co-worker’s costume party. Strangely, the stage costume I felt most comfortable in was my giant squirrel outfit. The giant squirrel outfit wasn’t easy to put on. There were belts and straps involved. I put it on in my apartment. I walked two blocks to my car, while smoking a cigarette. I stuffed myself and my huge tail into a Subaru. I then drove several miles, hunched over the tiny steering wheel. I imagine it looked like Frank Miller illustrating a Warner Brothers cartoon. I got to the party. There were witches, mummies, vampires, and plumbers. I was voted “most creative costume.” People kept offering me the bowl of mixed nuts. I only knocked two paintings off the wall with my tail. Overall, I felt it was going well. I spent the rest of the night drinking bloody punch (cherry vodka) and chatting about the future of non-profit organizations in Minnesota. Dressed as a fucking squirrel.

Happy halloween.

Leave a Comment

Filed under Uncategorized